Factory shoot · for B2B manufacturers · shot in 8 days, delivered in 15

We shoot your factory. The way we shoot Coca-Cola’s.

Your plant, your machines and your process, filmed by the crew that films Coca-Cola’s Pune plant. One shoot day gives you the film, the reels, the stills and the expo loop — before the buyer’s next visit, the next audit, the next expo. We work around production. We never stop your line.

Official production partner · Coca-Cola CPS India, Pune Day 8 shoot · Day 15 delivery 156 photos of one plant in one day

What your buyer sees today

Same shed. Two photos.

The one on the left is what usually goes out when a buyer asks for “some photos of the plant”. The one on the right is the same shop floor, shot by us. Scroll.

The same shop floor as a WhatsApp photo The shop floor — press brakes, laser, punching, overhead crane WhatsApp photo · sent by the supervisorSame shed · shot by DESENO

Narkhede Switchgear, Ambad MIDC, Nashik · one of 156 photographs from one day

01

“Send your company profile and a plant video.”

The buyer asks. What goes out is a WhatsApp photo the supervisor took, a 2016 film, a PDF with a pixelated JPEG. He has now seen your factory. Just not the real one.

02

He decided before he visited.

Buyers reach a supplier about 61% of the way through the decision, and 94% already have a favourite by then. The site visit confirms a choice. It rarely changes one.

03

The expo TV is playing a 2019 slideshow.

1,33,166 buyers walked IMTEX 2025. ₹37,700 crore of enquiries, about 9% booked at the show. The rest is decided in the follow-up, where the film is the leave-behind.

04

New machines. Same old video.

₹4 crore of new CNC on the floor, and the only footage of it is on the plant head's phone. Auto-parts suppliers added 40% more robots in 2024. Almost none of them are on camera.

Verification itself has moved to camera. GeM registers OEMs with a live, geo-tagged video of the working plant, and IndiaMART’s TrustSEAL Pro checks sellers on a video call. The plant has to look right on camera before anyone visits.

When companies call us

Six moments with a date attached.

Nobody wakes up wanting a factory film. They wake up with a chief guest, a buyer landing on the 14th, a stall at IMTEX, or a machine still in plastic. The next dates that matter:

A new machine, still in plastic, coming off the crane
Moment 01

New machines just landed

The plastic is still on. Buyers should see it running before the next RFQ cycle.

We shoot: The machine running, the operator, the part coming off, the first-piece check.

Inauguration morning — the new machine, garlanded
Moment 02

New plant or expansion

The chief guest has a date. The film plays on the day, then works for years with OEMs, bankers and recruits.

We shoot: Scale, automation, the QA lab, capacity, the people who built it.

A trade-fair stall with a slideshow on the TV
Moment 03

A trade fair coming up

The booth loop, the pre-show invite, the post-show leave-behind. Content locked 4–8 weeks before the show.

We shoot: A 60-second loop with no sound that stops people in the aisle.

An overseas buyer watching a plant video before deciding
Moment 04

Export buyers asking

They shortlist remotely first. They fly in only if you are already in the top two.

We shoot: Process, QC, compliance, packing and dispatch, in the order an auditor walks it.

The QC room — what an auditor wants to see
Moment 05

OEM approval or audit

The audit stays on-site. The film gets you shortlisted before it, and forwarded after it.

We shoot: Process capability, traceability, testing, the documents on the wall.

The owner on his own shop floor
Moment 06

Investors, IPO, the bank

Exchange officials visit the site. Investors want proof the money became machines.

We shoot: Real operations, capacity, the order book on the floor, the management on camera.

Which moment is yours? Tell us on a 30-minute call.

The occasion decides the shoot: a machine film for the new line, a plant film before the expo, an audit walkthrough before the visit. We come back within one business day.

Or pick a slot directly: cal.deseno.co.in

Proof · Coca-Cola CPS India, Pune

The film we made for Coca-Cola’s plant.

A new high-speed filling line came to the Pune concentrate plant. We were the production partner for the film about it: four minutes, delivered in desktop and mobile versions.

The new high-speed filling line running Watch 85 seconds

What was in it

The line running. The 25-year-old filler it replaced. The new machine arriving by air freight and going in. The control system, the drum line, the clean-in-place cycle.

  • Engineering, production, planning and finance heads on camera
  • Shot around a running plant, inside hygiene zones, in shifts
  • 1920×1080 at 60 fps · 4:01 · desktop and mobile versions
  • Every frame approved by the plant before release
Coca-Cola CPS India, Pune — the filling-line film, title frame over the plant at dawn
Title · The plant at dawn, under the film’s title
The old 8-head filler, 25 years in service
Before · The 8-head filler it replaced, 25 years in service
Dust-cap removal on the drum line
Process · Dust-cap removal on the drum line
Line layout — the automatic empty-can feeding section
Layout · The line layout, explained in the film
0 minone film, two versions, every department head
0photographs of one switchgear plant in one day
0production shoots in one month, seven accounts, July 2026
0 citiesDhule, Pune, Latur, Nashik — in that same month

Narkhede Switchgear, Nashik · 156 photographs. One plant. One day.

Panels and enclosures for ABB, Siemens and Schneider. From the air, the shop floor, the Amada punch, the laser, the press brakes, the rows of finished panels, testing. Tap any frame.

Narkhede Switchgear, Ambad MIDC, Nashik — from the airOperator at the Amada turret punchLaser cutting — the head at workRows of finished panel enclosuresProgramming the punching machinePanel assembly bays under the craneAmada EM 2510 punching machineLaser cutting, closeThe plant with the hills behind itTesting a finished panelPanel assembly, wideThe shop floor — press brakes, laser, punching, overhead craneNarkhede Switchgear, Ambad MIDC, Nashik — from the airOperator at the Amada turret punchLaser cutting — the head at workRows of finished panel enclosuresProgramming the punching machinePanel assembly bays under the craneAmada EM 2510 punching machineLaser cutting, closeThe plant with the hills behind itTesting a finished panelPanel assembly, wideThe shop floor — press brakes, laser, punching, overhead crane
Narkhede Switchgear, Ambad MIDC, Nashik — from the air
Drone · Ambad MIDC, from the air, the hills behind
Laser cutting — the head at work
Process · The laser at work: sparks, precision, the operator
Rows of finished panel enclosures
Capacity · Rows of finished enclosures ready for dispatch
Aureole Group · pharma process equipment

A reel for every new machine as it arrives: the laser cutter, the bending machine, the autoclave line. Month after month, so the buyers who follow them see the plant growing.

Seven accounts, one month

July 2026: 14 production shoots across seven accounts, 36 reels delivered, four cities. Our own crew, our own production house, no subcontracting.

Filtration, switchgear, steel, solar, sites

“Our product is boring to look at” is the brief we hear most. Working factories look better on camera than showrooms. Buyers are looking for the work.

Shot for Coca-Cola's plant. Available for yours.

Same crew, same planning, same care around a running line. Tell us what you make and when the buyer is coming.

Or pick a slot directly: cal.deseno.co.in

What you get

One shoot day. A month of content.

Most video budgets are spent badly: one expensive film, used twice, retired. Before our crew leaves the office we know every deliverable the day has to produce.

1

shoot day at your plant

Planned to the shot. Every machine, every angle, every person on the call sheet, so nothing is shot twice and nothing is missed.

Call 07:30Crew 3–4Backups 2Line stopped 0 min
2–3 minThe filmplant film
60 s + 30 sCutdownswebsite, LinkedIn, WhatsApp
10Reelsvertical, hook-first
5Proof clipsQC, dispatch, capacity
80Stillsfor the deck, the site, IndiaMART
60 sExpo loopno sound, for the booth TV
3–4 minAudit walkthroughthe plant in order, no music
taggedB-roll bankevery machine, for next month

Plant Film numbers shown. The Machine Film is one day for one line; the Capability Bank is four days for the plant, every product and the people. Every size includes the tagged b-roll bank.

The fifteen days

Brief on day 1. Shoot on day 8. Delivered on day 15.

Working days. Each approval has 24 hours; the clock pauses while we wait for you. This is the sheet your plant gets.

CALL SHEET · your plantDESENO · productionDay 8 · call 07:30
Day 110:00Brief on a call. What the film has to do, who watches it, where it runs.
Day 318:00Treatment and script approved by you. Nothing is booked before this.
Day 511:00Recce, shot list, call sheet. Which shift, which machines, which people, which route.
Day 807:30Shoot day. Safety briefing, then we work around production. The line keeps running.
Day 1217:00First cut for review. One list of changes, once.
Day 1512:00Final delivery: every cut, every ratio, stills and the b-roll bank. Backed up twice.
Included in every size: brief and treatment, shot list, direction, crew, camera, lighting, sound, safety briefing, edit, colour, subtitles, every ratio, two revision rounds, raw footage on request.
Day 3Script approved. Nothing is booked before you say yes to the words.
Day 8The shoot. Around your shifts, with your escort, without stopping the line.
Day 15Everything delivered: film, cutdowns, reels, stills, b-roll bank. Backed up twice.

Fifteen working days from the brief. Before the next visit.

Say yes today and the shoot is on day 8. Leave your details, or book the call directly.

Or pick a slot directly: cal.deseno.co.in

On the shoot day

Six rules your plant head will like.

We don't stop your line

We shoot around shifts, changeovers and breaks. A machine that has to run, runs. We wait for it.

Safety before the first frame

Helmets, vests and a briefing before the crew steps on the floor. Nobody enters a restricted zone without your escort.

Confidential by default

NDA on request. Customer logos, drawings, formulations and labels are masked. Nothing is published without your approval.

Two backups before we leave

Footage is backed up twice on site. The raw files are yours on request. It is your shoot.

A decision-maker on set

Approvals on the day cost nothing. Approvals a week later cost a reshoot. We ask for one person who can say yes.

Marathi, Hindi, English

On set and in the subtitles. Operators speak better in their own language, and buyers watch with the sound off.

Our crew filming a running machine — helmets, vests, the line keeps running

A crew that has stood next to a running line before.

Helmets and vests on before the floor. A briefing with your safety officer. Cameras on gimbals, not tripods in the aisle. Lights that don’t need your power. And the patience to wait for the machine that has to finish its cycle.

Inside hygiene and GMP zones we shoot from where the rules allow, with your escort, and nothing more.

Which factories

Every sector has one thing its buyer must see.

We plan the shot list around it.

Auto components & precisionprocess capability, QA lab, traceability, the robot cell
Switchgear, panels, cablespanel build, testing, dispatch, the approvals on the wall
Pharma, API, devicesGMP areas from where the rules allow, QC, documentation
Food, beverage, packaginghygiene, the filling line, packing, dispatch
Chemicals & paintsEHS, capacity, the safety culture an importer checks
Machines & capital equipmentthe machine running, acceptance tests, installation proof
Plastics & mouldingthe moulding floor, cleanliness, food-contact compliance
Steel, castings, forgingsfurnaces, capacity, the testing lab
Textiles & garmentsthe lines, worker welfare, compliance for social audits
Electronics & solarthe lines, testing, scale for investors and ALMM

Investment

Three sizes. One number on the call.

Priced by shoot days: one, two or four. Every size includes the crew, the edit, every ratio, the stills and the b-roll bank. 50% books the date, 50% on the first cut.

Pricing is shared on a 30-minute call.

Once we know your plant, the occasion and where the film has to work, we can tell you which size fits and what it costs. Leave your details and we come back within one business day.

Questions

Frequently asked questions.

The things every plant head asks us before the first shoot.

01What exactly do you shoot?

Your plant, your machines, your process and your people. Depending on the size you pick: one new machine or line (Machine Film), the whole plant (Plant Film), or the plant plus every line and product with the people on camera (Capability Bank). Every size comes with vertical reels, stills and a tagged b-roll bank cut from the same shoot.

02Will you stop production?

No. We plan the shoot around your shifts, changeovers and breaks, and we wait for a machine that has to run. The crew is briefed on safety before it steps on the floor, wears helmets and vests, and enters no restricted zone without your escort.

03How long does it take?

Fifteen working days from the brief. Day 1 brief, Day 3 script approved, Day 5 recce and call sheet, Day 8 shoot, Day 12 first cut, Day 15 final delivery. Each approval has 24 hours; the clock pauses while we wait for you.

04Our factory is not pretty. Can you make it look good?

That is the job. Filtration systems, switchgear, steel, solar and construction sites are on our regular shoot list. A working factory looks better on camera than a showroom, because buyers are looking for the work, not the paint.

05What do we need to do?

Four things: a 30-minute brief, a 24-hour turnaround on the script and the first cut, access to the floor and the people on the agreed day, and one decision-maker on set. Product, styling and staff ready before call time saves the most expensive hour of the day: the crew waiting.

06What about confidentiality?

We sign an NDA on request. Customer logos, drawings, formulations and labels are masked in the edit. Nothing is published, posted or used in our own marketing without your written approval.

07Do you travel?

Yes. In July 2026 alone our crews shot in Dhule, Pune, Latur and Nashik. Travel and stay beyond 100 km of Nashik or Pune are quoted at cost.

08Can we use the footage for ads, IndiaMART, the expo?

Yes, and we plan for it. The cutdowns, the reels, the silent booth loop and the product clips are cut from the same shoot. The audit walkthrough is a separate cut: the plant in order, no music, for buyers and auditors.

09Do we get the raw footage?

Yes, on request. It is your shoot. Everything is backed up twice before the crew leaves.

10How many revisions?

Two rounds are included. Consolidated feedback, one list, once per round. Beyond that is quoted, and it is usually a sign the brief moved rather than that the edit was wrong.

11Can you shoot in Marathi and Hindi?

Yes, including scripting and subtitles. Several accounts perform better in Marathi. Buyers on LinkedIn watch with the sound off, so every version is subtitled.

12What does it cost?

Three sizes by shoot days: one, two or four. The number is shared on a 30-minute call once we know your plant, the occasion and where the film has to work. Use the “Book a call” button and we come back within one business day.

Next step

Shot in 8 days. Delivered in 15. Before the next visit.

Leave your details and we call within one business day. Or book the 30-minute slot yourself, or talk to us now on WhatsApp.

Pick a slot WhatsApp us

Coca-Cola CPS India film shown with the plant’s own title frames and machine footage. Narkhede Switchgear photographs from our shoot. Client references on request. · DESENO Media Agency Pvt. Ltd. · +91 70203 66250

Book a 30-minute call

Tell us about the plant.

We come back within one business day with which size fits, what it costs, and a slot for a 30-minute call.

No spam, ever. Your details stay with DESENO and are used only to get back to you.

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